Writing and me

Writing is a huge part of my life, and I have been working on it off and on since I got here. I've also been doing a lot of reading. But today let's talk about the writing.

I started out finishing a book that I'd previously started. I realized when I finished it that it was too perfect. There wasn't much in the way of plot. I got them from point A to point B but there wasn't much struggle. Also I had a plot point that just wasn't going to work. Even if it was two books it wouldn't work because it was an impossible goal.

So I started over. This shouldn't come as a surprise to anyone. I've done it multiple times with multiple stories. But this time I actually did something a little different. I actually built an outline.

I'm normally a pantser, but this time I wanted a more concrete plan for the chapters so I didn't wander around. Unfortunately, as I progressed further into the story, I realized I don't have any side plots. It's all straight line to the end of the outline. So now I have to figure out what I want to do about side plots. I have room to put some in. I just have to figure out what they are. I've left myself a note and will go back and insert some things after I've finished the story. Revisions are good for that.

I plan on finishing the first draft of Hackers, the novel I'm working on right now. It was last year's NaNo novel. Hackers is a working title, since I have no clue what I want to call my cyberpunk novel. But now I'm completely rewriting it to fix all of the errors I found when I read through it again.

That leads me to this year's NaNo. I still plan on doing it. I'm just trying to decide what project to do. I have a number of stories waiting to be written, but none of them are speaking to me. I thought about writing the sequel to Hackers but until I get the side plots in and adjust the main plot so it can carry over into the next book (my outline didn't take that into account either) I don't want to work on it.

I've thought about rewriting Marked with the changes I've made to the world. Yes, I know. I need to stop world building and set up the guidelines I need to work with. But talking with Tims, things keep expanding and changing. Which makes me reluctant to work on Marked. Or any of the Vassa books.

That leaves me with my other sci fi novels. Which I'm not sure what I want to do with either. I intend to finish this draft of Hackers by the end of October so I'm free to write in November. I also intend to write an outline for November, to see if it helps keep me on track. If it doesn't, I'll scrap it and pants it again.

So that's my writing in a nutshell for the past six months. I've written on a few fluff pieces just to keep me writing on those days that even with the outline I just can't seem to write anything serious. But I've set my goals so now I just have to complete them.

Saturday Story Building - Putting it all together

I've talked about different pieces of building up a story. I've talked about the research, the character sketches, the world building. Now the question is, once you've gotten all this information, how the heck do you put it all together for a story?

The first thing you have to do is decide how much of that information you're going to use. You can have an entire novella/novel length book of world building, but is all of it really necessary for the story you're telling? Most likely not. You have to choose the most important items out of all of that work you did and find a way of putting them into the story. You might not have a purpose yet for that dissertation you wrote on the culture of a foreign country, but save it. You can use it in another story.

Characters. You've written these beautiful character sketches. If you're like me, they've got more information in them than you're likely to use. I tend to add a full background, a list of likes and dislikes, and maybe if I'm ambitious what their favorite foods/colors/etc. are. I don't do that lat one very often but I do tend to be very thorough in creating my character sketches.

Obviously, all that lovely information isn't going to make it into the book. If it does, you're probably going to bore your reader. So how do you decide which is the most important information? Think about how your story is going to go. Pinpoint the most important details that you can share in the story and make note of them. Those are the details you're going to use for your story.

Now, about that research you did. You've probably done a lot of reading and note taking on several different subjects. At least, you have if you're like me. You have all this lovely, useful information. The question again is how much are you going to use? That obscure culture you researched and referenced in your notes may be wonderful for a story some day but is it pertinent to the story you're working on now?

Once you've sorted your information out, then you can start writing your story. And even here you've got options. You can be a plotter - build yourself an outline, lay out precisely how your story is going to go, and work from that. Or you can do what I do - figure out the beginning and the end, and come up with a rough idea of some of the events you'd like to have in the story. And then just start writing and hope everything comes out all right in the end. Or you can avoid all of these steps and just start writing. Hey, it's all fixable in edits, right?